Posts Tagged ‘ Review

Spoon throws it in neutral on Transference

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Listen to “Trouble Comes Running” from Transference

Spoon has become the stuff of legend.  Throwing together post-punk/R & B styled rock ‘n’ roll from the 70’s, Spoon rode what was arguably the longest winning streak in modern rock history.  From the storied battles with A&R managers nearly a decade ago, to their rise from Saddle Creek records, Spoon has always found a place in indie critic’s hearts despite being one of the most recognized bands in pop culture. A catalog of records on “best of” lists, the world over, Spoon was the band that could do no wrong.  However, on their latest record, Transference, the band seems to be throwing the creativity-transmission into neutral and chose to cruise with what they’ve got.  This isn’t a bad thing . . . it’s Spoon for god’s sake . . . but at some point, we’re going to get sick of listening to Ga Ga Ga Ga Ga.

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The Bouncing Souls walk the plank on “Ghosts on the Boardwalk”

TrendRobot Album Rating: 5/10

Maintaining a band for 20 years is more than impressive.  Making quality punk rock for 20-years is beyond comprehension.  In a time when all of the flag-bearers of our teenage angst have long-since retired, retracted, or are fading into the limelight, The Bouncing Souls continued to make fast, rebellious, catchy anthems that always made you feel like there was someone in your corner.  Unfortunately though, at some point, everyone has to grow up at least a little bit and it almost seems that one their 20th anniversary, The Bouncing Souls are the ghosts walking the boardwalk and fading into the horizon.

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Free lunch: Vampire Weekend – "Contra"

Listen to “Cousins” from Contra

Rating:  7/10

It seems like the Yale-born Vampire Weekend lads have more to defend than they do tools to fight with.  Seemingly born with a musical silver spoon in their mouths, they were graced with an ivy-league pedigree that instantly hindered their “African street cred” upon becoming the most hyped band in the entire blogosphere in 2008.

Even Alice Cooper was getting in on the act:

From noisecreep.com:  “I do get a little annoyed that it seems like a lot of bands that come out now that I read, ‘The greatest band that I’ve ever heard,’” he said. “And I see them and I go, ‘There’s absolutely no testosterone in this band.’

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Track of the day: Cold War Kids – “Audience of One”

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Listen to “Audience of One” from the upcoming Behave Yourself EP

TrendRobot Rating:  10/10

Coming on the tail-end of a review where I never want to hear about a band’s “hype” ever again, the new single released by the Cold War Kids was refreshing, to say the least.  There are just some artists that get it.

It’s not about hype, it’s not about how many albums you’ve sold or what sort of pedigree you have . . . it’s about honing your craft . . . especially in the presence of nay-sayers.

After last year’s superb Loyalty To Loyalty, everyone seems to be waiting for the Cold War Kids sophomore slump to come in Junior year.  Well if this teaser is any indication . . . don’t hold your breath.  The lounge is full and hazy, but the band is on.

The Swell Season's Strict Joy is a fantastic labor of love lost

swellseason_34649Grade:  9/10

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Listen to “High Horses” from Strict Joy

Strict Joy, as a concept album, may be the most moving, musical composition that the music industry will behold all year.  Chronicling the aftermath of a torrid love affair between ex-lovers Glen Hansard and Marketa Irglova, it is Joy’s longing effect that make it both epic and heartbreaking.

The duo’s first outing, the Once soundtrack, found a couple falling hopelessly in love and critics simply couldn’t resist the simple, romantic whirlwind set to film.  After both acting in the indie-flick, and composing the official soundtrack, the Swell Season were immediately heralded as media darlings from the underground.  However, after eventually winning an Oscar for best original song, the doomed tragedy of a Shakespearean sonnet would lead the two to begin crafting the forelorn melodies of 2009′s Joy.

It isn’t so much the lyrics or even the composition (which is raw yet flawless) that moves Strict Joy along; it is the very shakiness and sincerity of Hansard’s voice.  Commanding most of the lead-vocal duties, his voice echoes and pops through an impressive range.  Layred over blues-ballads and math-rock movements, Hansard’s focus is apparent . . . it’s a genuine love for the person he’s with . . . or was with.

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Tegan & Sara pay homage on Sainthood

T&SGrade:  7.5/10

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Listen to “Northshore” from Sainthood

Upon first listening to Sainthood, I made the mistake of leaving my iTunes running through my entire Tegan & Sara collection (not that I have a “collection” per say). As soon as Sainthood’s “Someday” finished and transitioned into the first track of The Con, I was struck at how different the two albums are. I spent the new few moments searching through other albums to see if there was really a comparison. Needless to say, after spending a fair amount of time reliving my uncomfortable, twixter-angst musical phase, I couldn’t find anything in the sisters’ discography that would rival Sainthood as far as fast-paced, “listenable” music goes.  The album is dark enough to fit a Tegan & Sara fan, yet light enough to run with their pop-torch

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Wolfmother's Cosmic Egg doesn't expand the universe just yet

wolfmother-comicegg-300x300Grade:  7/10

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Listen to “New Moon Rising” from Cosmic Egg

After ascending to rock ‘n’ roll valhalla with their self-titled debut in 2005, Wolfmother quickly dissolved.  As most astoundingly-chaotic-yet-cohesive bands do, the great stoner rock machine that was Wolfmother went the way of At The Drive-In when bassist/keyboardist Chris Ross and drummer Myles Heskett left the group due to “irreconcilable differences”, creating an indefinite hiatus for the trio.  Soon after, however, lead singer and guitarist Andrew Stockdale vowed to keep the Wolfmother name, and subsequently the legend, alive and would continue on with new members added to the fold.

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Julian Casablancas resurfaces in grand fashion with Phrazes For The Young

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Listen to “Out Of The Blue” from Phrazes For The Young
Grade:  9/10

After four years of isolation in a place called Hollywood, one would think that sobriety would be the furthest thing from a New York City rocker’s mind. Getting on the wagon, however, might be the best thing that has ever happened to a leather-jacketeer’s songwriting as The Strokes’ Julian Casablancas has undoubtedly churned-out a critic-pleasing, cult-classic of an EP on Phrazes for the Young.

With his Strokes mates choosing to stay in the limelight with celebrity marriages and acclaimed solo albums and side projectsthe infamous frontman was inexplicably absent. Casablancas decided to lay low and battle his personal demons with alcohol and drugs, thereby making Strokes breakup rumors run rampant over the internet blogosphereAn enigma, he would show up randomly as a cameo for everyone from Danger Mouse to Andy Samberg’s Lonely Island.What few knew, however, was that behind the scenes an 8-song album was materializing in Los Angeles, Nebraska and, of course, New York City.

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